If you haven't seen BBC3's The Wrong Door yet take a moment to get yourself acquainted with the show (if it's been geoblocked you can try it at the BBC channel on YouTube. Let me know if it's been geoblocked too).
In a nutshell, The Wrong Door is Monty Python on CGI steroids.
But apart from the funny sketches and the typical British humour, The Wrong Door is a perfect example of unbundable content of TV III.
Just like CDs had their basic commercial unit reduced from albums to tracks, the structure of The Wrong Door allows the sales of segments, rather than programmes. The sketches work fine as stand-alone comedy segments, but also offer an extra diegetic comprehension when watched as a whole programme. Certain characters are pictured in different episodical segments within the show, constituting a storyline.
As the format repeats the characters and the situational themes across different show episodes, viewers are enticed to follow the new stories of these characters every week.
The clip above is from a sketch that portraits a girl who takes her new boyfriend Philip to meet her girlfriends. In other episodical segments, she takes Philip to meet her parents, and even to go bowling with another couple. That would be completely normal wasn't for a tiny detail: Philip is a Tyrannosaurus Rex.
From my point of view, The Wrong Door succeeds in five different fronts:
- As a short stand alone segment, it is perfectly suitable for mobile platforms, where viewers usually snack content and can't necessarily rely on fast connections;
- Different episodical segments within a programme, entice audiences to stick around for more, and in the meantime, they get acquainted with new characters and diegetic situations;
- The repetition of characters throughout different weekly shows, entice users to come back for new stories;
- The short stand alone format can be (and already has been) used as an instant promotional piece, requiring very little work to become a full on-air promo, saving time and money.
- The segments, when unbundled from the show, have a viral nature, and serve as content snacks. They can be downloaded from mobiles, posted on blogs and social networks, sent to friends, etc. All these situations turn the segments into very effective promotional tools that drive audiences to the show aired on TV or VOD.
I'm not saying here that all content in TV III show be unbundable, as this would be the end of movies as we know it. But this format surely helps to raise brand awareness and drive eye-balls to the show. Not not mention making money out of mobile content.
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